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Game Review: Band Frontman Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

Helmed by Portishead co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

Just a single important plot development, but it results in a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film is in UK and Irish theaters from 17 November.

The writer

James Harmon

Urban planner and writer with over a decade of experience in sustainable city development and community-focused design projects.

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